Tag Archives: Le Corbusier (Swiss-French Architect)

Travels in Spain, Barcelona and the Sagrada Familia

Sagrada Familia 01

“What I saw in Barcelona – Gaudí – was the work of such strength, such faith, of an extraordinary technical capacity, manifested during a whole life of genius…” – Le Corbusier (Swiss Architect)

We had been to Barcelona before but didn’t hesitate for a moment to go again.  It might be the pickpocket capital of Spain, maybe even Europe, but a couple of months earlier we had survived a few days in Naples without any thieving mishaps so felt confident that we could handle ourselves in Barcelona.

We arrived in the afternoon and completely out of character hopped in a taxi to take us the short ride to our accommodation, the budget hotel IBIS in Eixample which claimed to be close to the Sagrada Familia, the unfinished Cathedral of the Catalan genius architect Antoni Gaudi.  We were not to be disappointed because it was only a five minute easy stroll away.

After approving our rooms we walked there immediately but couldn’t go inside to visit because it was sold out for the day so we had to satisfy ourselves with a walk around the exterior and then booking some entrance tickets for later in the week.

Sagrada Familia Detail

It was quite pricey to get in but then this is the principal source of fund raising because the long drawn out construction is not supported financially by the National State of Spain, the Autonomous Community of Catalonia, the Province or City of Barcelona or even the Catholic Church (it points out that it already has one Cathedral in Barcelona, why does it need another?)  The only source of income is visitor receipts and construction costs are currently estimated at €1 million a month.  That is a lot of visitors.

Work on the Cathedral began in 1882 and it is due for completion in 2026 and although I say long drawn out and nearly one hundred and fifty years may seem a very long time, to put this into some sort of perspective, you can’t really expect to build a cathedral in just a couple of years – except perhaps for the Basilica of our Lady of Guadalupe in Mexico City which was built in just two years but, if you ask me, doesn’t really look like a Cathedral in the traditional  sense – so I am not counting it (it’s my blog!)

So just how long does it take to build a Cathedral?

In England York Mister took two hundred and forty-two years, but by comparison St Paul’s in London was rushed up in only thirty-one, Notre Dame in Paris took one hundred and eighty-five years, Seville in Spain one hundred and eighteen years and St Peter’s in Rome one hundred and twenty years and although this might seem like snail’s pace construction all of these were positively rapid compared to Milan at five hundred and seventy-nine years and Cologne in Germany at six hundred and thirty-two years – a shame then you might think that Allied bombers knocked it down in the space of just a few nights during the Second-World-War!

St_Michael's_Cathedral_ruins,_Coventry

I digress here but the bombing story reminded me that the German Luftwaffe similarly destroyed Coventry Cathedral in 1940 in just one bombing raid.  This Cathedral with the third highest spire in England after Salisbury and Norwich had taken sixty years to build between 1373 and 1433 which I suppose you might consider quite quick, but not as rapid as the new Coventry Cathedral which was built in only six years and which, in a national poll in the 1990s, was voted Britain’s favourite twentieth century building.

I remember going there on a school visit in about 1964.

Back now to Barcelona.

So we purchased our entry tickets and went inside into a surreal world of a combination of church and building site with pallets of stone and brick side by side with pews and confessional boxes and we wandered around the great nave and the side chapels through soaring arches that look like giant trees with a fluidity of the design that creates the illusion of fusion, columns and arches melt into a viscous panorama that foams, drips and provides refuge for plants, animals and people and as we stood and admired it I hoped that although it is difficult to get inside the mind of a genius like Gaudi that I might at least be able to understand just a little of what it all meant.

Sagrada Familia 02

As it happens, I am not certain about what I think about Sagrada Familia. It confuses me. It is a piece of Disney World.  Although it was consecrated as a Minor Basilica by Pope Benedict XVI in 2010 (there are currently one thousand seven hundred and fifty Catholic Minor Basilicas and including the Sagrada Familia, Barcelona has nine) I am unsure if this is a place of worship or a Barcelona theme park.  George Orwell said it was “one of the most hideous buildings in the world” .

When the final stone is set in place, the Sagrada Família will be the world’s tallest church, soaring five hundred and sixty feet into the sky. Second highest (currently first) will be Ulm Cathedral in Germany at five hundred and thirty feet high and Lincoln Cathedral in England (currently second) is five hundred and twenty-five.  It will also be the strangest looking and possibly the most controversial place of worship ever built on such an epic scale. Looking for all the world like a cluster of gigantic stone termites’ nest or perhaps a petrified forest, this hugely ambitious church has confounded architects, critics and historians ever since its unprecedented shape became apparent.

Sagrada Familia Statues

Looking ahead I wonder if after completion in 2026 (maybe?) the tourists can be kept away and it can become a genuine Temple of Worship? Currently it is the second most visited place in Spain after the Alhambra Palace in Granada. Will they ever stop that?  Personally, I doubt it. Currently attendance at Mass at Sagrada Familia requires an invitation, rather like the Queen’s Garden Parties in the UK.

When complete, the Basilica will boast no fewer than eighteen spires – eight have been built so far, twelve representing Christ’s apostles, four the evangelists (Matthew, Mark, Luke and John), one the Blessed Virgin Mary and the tallest, Christ the Saviour

It is a magnificent but ultimately pointless building that I suspect will never achieve its original objective. I preferred the Gothic Cathedral in Barcelona Old Town which we visited a few days later.

Maybe I am just old fashioned and I am reminded of my Dad’s negative reaction to the church in the village where we lived when they started serving afternoon tea and cakes, he was outraged that the Vicar would think about turning a church into a café. It is probably a Starbucks now.

I am getting to be like my Dad but that is not such a bad thing!

Sagrada Familia at Night

Building A Cathedral

Sagrada Familia Cathedral Barcelona

Sagrada Familia in Barcelona…

It was quite pricey to get in but then I had to take into consideration that this is the principal source of fund raising because the long drawn out construction is not supported financially by any of the National State of Spain, the Autonomous Community of Catalonia, the Province or City of Barcelona or the Catholic Church (it already has one, why does it need another?)

Work on the Cathedral began in 1882 and  is currently due for completion in 2026 and although I say long drawn out and nearly one hundred and fifty years may seem a very long time, to put this into some sort of perspective, you can’t really expect to build a cathedral in just a couple of years.

Building a Cathedral takes a long time…

In England York Mister took two hundred and forty-two years, but by comparison St Paul’s in London was rushed up in only thirty-one, Notre Dame in Paris took one hundred and eighty-five years, Seville in Spain one hundred and eighteen years and St Peter’s in Rome one hundred and twenty years.

Even the Basilica of the National Shrine of Immaculate Conception in Washington, USA took forty-two years and although this might seem like snail’s pace construction all of these were positively rapid compared to Milan at five hundred and seventy-nine years and Cologne in Germany at six hundred and thirty-two years.

Read the Full story…

Durham Cathedral Door Knocker

Catalonia, Barcelona and Antoni Gaudi

Barcelona Gaudi Postcard

“What I saw in Barcelona – Gaudí – was the work of such strength, such faith, of an extraordinary technical capacity, manifested during a whole life of genius; of a man who carved the stones before his eyes in well thought out pattern…. Gaudí was a great artist; only those who move the sensitive hearts of gentle people remain” – Le Corbusier (Swiss-French Architect)

The first day in Barcelona had been a rapid breakneck tour of the city that raced recklessly through history, culture, sport and sights without any real plan or semblance of sensible order.  Today we intended to be more focussed and specifically we were going to visit the buildings of the renowned Catalan architect Antoni Gaudi.

Antoni Gaudi or …

Antoni Plàcid Guillem Gaudí i Cornet (to give him his full name) was an architect who belonged to the Modernist Art Nouveau movement of the early twentieth century and was famous for his unique style and highly individualistic designs.  We had already come across some Gaudi creations previously on our travels, the Casa Botines in León and then El Capricho in Comillas but Gaudi didn’t do a lot more work outside of Catalonia so to see his work properly then it really has to be in Barcelona where he was prolific.  

Whilst leaving his indelible mark specifically on this city at the same time he contributed his architectural legacy to the heritage to the World in general.

Antoni Gaudi and me

I mentioned before that the bus tour had taken us along the Passeig de Gràcia in the Eixample district of Barcelona heading for the Casa Milà when one particular building had caught our attention.  It turned out to be the Casa Batlló and so this was the building that we headed towards first of all.

Casa Batlló in Barcelona…

Gaudi designed Casa Batlló in a prosperous middle class district of Barcelona for a wealthy city Aristocrat who was carrying out a complete refurbishment of the property that had originally been built in 1877.  

It is a unique and fabulous building that defies any sort of description and is a place that really has to be seen to be fully appreciated.  From the road outside the building looks stunning and the local name for the building is ‘casa dels ossos’, literally the house of bones, and the building has a visceral, skeletal, organic quality.  Much of the façade is decorated with a mosaic made of broken ceramic tiles that begins in shades of golden orange and moves and merges harmoniously and without effort into greens and blues.

Casa Batlo Barcelona Gaudi

It is a wonderful riot of style and outrageous architectural ideas and designs and stepping inside is like being given the privilege of sharing the inside of the mind of a genius.  Every room is a treasure store  and the attention to detail is immaculate.  The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.  It seems that Gaudi’s objective was if possible to avoid straight lines completely.

My favourite part of the building was the roof with its forest of coloured chimneys decorating a terrace which is arched and is said to represent the spine of a dragon.  A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George the patron saint of Catalonia, which has been plunged into the back of the dragon.

Casa Milà in Barcelona…

After we left Casa Batlló we walked the short distance to the next Gaudi masterpiece, the Casa Milà and paid our entry fee to visit the exhibition rooms and the roof with its sculptured chimneys and ventilation shafts.   Casa Milà reminded me of the slopes of a volcano, flowing layer upon layer like Mount Vesuvius and with more curves than Marilyn Monroe.  I have to say that it didn’t excite me as much as  Casa Batlló but once again I liked the roof with its decorated chimneys and from where there was a good view of the city and a clear line of sight towards our third intended visit – the Sagrada Familia.

Casa Mila Gaudi Barcelona Catalonia

Sagrada Familia in Barcelona…

It was quite pricey to get in but then I had to take into consideration that this is the principal source of fund-raising because the long drawn out construction is not supported financially by any of the National State of Spain, the Autonomous Community of Catalonia, the Province or City of Barcelona or the Catholic Church (it already has one Cathedral, why does it need another?)

Work on the Cathedral began in 1882 and  is currently due for completion in 2026 and although I say long drawn out and nearly one hundred and fifty years may seem a very long time, to put this into some sort of perspective, you can’t really expect to build a cathedral in just a couple of years. 

Building a Cathedral takes a long time…

In England York Mister took two hundred and forty-two years, but by comparison St Paul’s in London was rushed up in only thirty-one, Notre Dame in Paris took one hundred and eighty-five years, Seville in Spain one hundred and eighteen years and St Peter’s in Rome one hundred and twenty years.  Even the Basilica of the National Shrine of Immaculate Conception in Washington, USA took forty-two years and although this might seem like snail’s pace construction all of these were positively rapid compared to Milan at five hundred and seventy-nine years and Cologne in Germany at six hundred and thirty-two years.

So we purchased our entry tickets and went inside into a surreal world of a combination of church and building site with stone and brick side by side with pews and confessional boxes and we wandered around the great nave and the side chapels and then made our way to the entrance to the lift that would take us to the top of the twin towers soaring high above the half-finished building and which took us closer to the stone carvings, the allegorical friezes and the sometimes curious selection of material used in the construction.  Reaching the top the bonus was a glorious view over all of Barcelona with a riot of colourful but not especially attractive boxy buildings leading all the way down to the Mediterranean Sea.

Sagrada Familia Cathedral Barcelona

Down again at ground level we walked through the forest of scaffolding to the main doors and then left taking time to admire the sculptured nativity scene in its prominent position between doors and spires.  At first glance this all seems rather chaotic but with its avoidance of straight lines and right angles, and its forest-like columns of trees, it embodies Gaudí’s belief that construction should follow the example of nature.

The fluidity of the design creates the illusion of fusion – columns and arches melt into a viscous panorama that foams, drips and provides refuge for plants, animals and people and as we stood and admired it I hoped that although it is difficult to get inside the mind of a genius that I might at least be able to understand just a little of what it all meant.

And so our day of architectural sightseeing drew to a close, we knew all about Gaudi, hadn’t been robbed and later we went to the same restaurant where they remembered to charge us for the wine this time but to compensate for this forgot the beers.  I liked this place so it was a shame that this was the end of our time in Barcelona and tomorrow we would be leaving for Girona.

Gaudi Casa Batlo Barcelona Catalonia Spain

More posts about Antoni Gaudi:

Alternative Twelve Treasures of Spain – Antoni Gaudi

Twelve Treasures of Spain, La Sagrada Familia, Barcelona

Cantabria, Comillas and Antoni Gaudi

Casa Batlló, Barcelona

Park Guell, Barcelona

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